exhibition_taxonomy: Archive

Lkham Gallery proudly presents Samsara, the first solo exhibition in Mongolia by Sodgerel Purevdorj.

This exhibition by artist – researcher Sodgerel Purevdorj, who earned her Ph.D. at Tsinghua University through studying the patterns and artistry of the deer stones – the magnificent heritage of the nomads who lived in the heart of Central Asia 3,500 years ago – serves as a spark toward her greater vision: to elevate ornamental patterns, long confined to the realm of decorative art, into an independent form of contemporary art. Her works breathe new life into ancestral motifs, allowing ancient symbols to speak in the language of the present.

Rooted in a nomadic worldview, the steppe peoples moved with the seasons for centuries, guided by a vision of preserving balance within a fragile natural world. In revisiting these traditions, the artist illuminates the enduring relevance of ecological respect and cultural memory. She invites viewers to sense the quiet wisdom embedded in these movements—a harmony between creation and return.

In Samsara, patterns emerge as vessels of continuity – fragile yet resilient, bridging past and present while prompting vital questions: What defines art? What is a pattern? By reimagining ancient forms in contemporary practice, Sodgerel honors tradition while opening new dialogues on memory, ecology, and the essence of being. Her vision gestures toward an art that not only remembers but also reawakens – tracing the eternal return between origin and becoming.

In Serpent Reverie, Realm of the Water Deities, Javkhlan Ariunbold offers a profound visual imagery and experience on Mongolia’s spiritual and ecological heritage. Rooted in centuries-old nomadic traditions, Mongolian culture recognizes nature as sacred—every mountain, river, and landscape inhabited by nature’s guardian deities and spirits. This ancient culture, rich in ritual and respect, stands in stark contrast to the rapid industrialization due to mining and environmental degradation in Mongolia.

Through her evocative imagery, Javkhlan explores this cultural and spiritual rift. Her works have been featured in numerous institutional shows, including Kunstmuseum Bochum, GER (2024); Kunsthalle Düsseldorf, GER (2024); Goethe Institute Paris, FR (2022) and IKOB – Museum of Contemporary Art, Eupen, BL (2021). For this exhibition, Ariunbold’s work brings to life mythical beings such as Lus, the water deity often symbolized by a part woman, part serpent—figures that represent not only protection and fortune but also the consequences of human transgression against the natural world. Blending folklore with contemporary visual language, the artist bridges past and present, urging viewers to reconsider their relationship with nature.

This exhibition invites us to enter a space where reverence for the land still echoes, and where the sacred spirits of Mongolia’s landscapes continue to watch over us—demanding both respect and responsibility. Javkhlan’s work is not only an homage to ancestral beliefs but a timely reflection on the fragile balance between tradition, modernity, and the environment.

LKHAM Gallery is proud to present “Through His Eyes,” the first-ever solo exhibition in Mongolia by the esteemed artist Tsegmid Puntsag, Honored Worker of Culture of Mongolia. This landmark exhibition showcases the culmination of 60 years of dedicated artistic practice, revealing the profound connection between the artist and the Mongolian landscape.

Tsegmid Puntsag’s work, honed through decades of meticulous observation and masterful technique, translates the vastness of the Mongolian terrain into captivating visual narratives. His paintings, imbued with “the velvet blankets of landscapes and the resonating echoes of valleys,” offer a unique perspective on the natural world, transforming ordinary scenes into dreamlike visions.

A highly respected educator and cultural ambassador, Tsegmid Puntsag has played a pivotal role in promoting Mongolian art internationally. Since 1972, he has consistently participated in group exhibitions organized by the Mongolian Artists’ Union and has showcased his works in prestigious venues across Russia, China, South Korea, the United States of America, England, France, Bulgaria, Hungary, Poland, and Austria.

For “Through His Eyes,” LKHAM Gallery has curated a selection of previously unseen, significant works that exemplify the artist’s unwavering dedication and pursuit of artistic perfection. Each piece reflects his exacting standards, characterized by highly crafted details and masterful technique, designed to engage and inspire audiences across generations.

Tsegmid Puntsag’s artistic vision reimagines the graphic forms of mountains, employing vibrant colors that transcend the immediate scene, conjuring ethereal imagery from everyday life. He articulates a mesmerizing connection with nature, capturing “the whispers of the mountains and the ethereal ambiance of lulling colors.” His paintings, while rooted in reality, convey the profound emotional resonance of interacting with the natural world, transforming fleeting moments into extraordinary explorations of bold brushstrokes and the captivating mysteries of contrast.

LKHAM gallery, a leading advocate for Mongolian contemporary art, is thrilled to announce its inaugural participation in the 10th Edition of Asia NOW, Europe’s premier Asian art fair from 17 October to 20 October 2024 in Paris. It’s the first time a Mongolian gallery is being featured in Asia NOW, showcasing the contemporary art and culture of the country to the world.

LKHAM gallery will present the works of Mr. Baatarzorig Batjargal, a prominent contemporary Mongolian painter known for his captivating explorations of figures, colors, and societal themes. Mr. Batjargal’s distinctive style, rooted in traditional Mongolian painting techniques (Mongol zurag), offers a unique perspective on contemporary politics, social issues along with pop culture. His work exemplifies the depth and diversity of Mongolia’s artistic heritage, and the gallery believes it will resonate with international audiences’ perspective and visions.

About Asia NOW
Asia Now Paris Asian Art Fair returns to Monnaie de Paris during Paris art week October 17–20 to celebrate its tenth edition. More than just an art fair, Asia Now is both a curated platform with a selection of international galleries presenting artists from across Asia and its diaspora, and an ambitious public program curated by guest curators featuring commissioned site-specific installations, performances, conversations and artist workshops.

10th edition features presentations by new and returning galleries featuring solo or duo shows by artists from 28 territories across Asia, from Central Asia to the Asia-Pacific region, including West, South, Southeast and East Asia. Guest Curator of the 10th edition is the curatorial cooperative RADICANTS, under the artistic direction of Nicolas Bourriaud. The platform conceives innovative exhibitions, imagined by independent curators at the international level. RADICANTS specializes in exhibition production, cultural engineering, publications, and the sale of exhibitions and artworks.

Jantsankhorol Erdenebayar is a contemporary artist from Mongolia who studied in Hunter College NY and UCLA. Jantsankhorol’s artwork has been presented in several prestigious international art fair and festivals like the Venice Biennale and Art Basel Miami and Hong Kong. His works have been exhibited in major cities like, New York and Los Angeles.

Secondary Growth is about accepting things as they are, adapting a new situation, and growing into new phase. This collection of sculptures explores the idea of growth, both literal and metaphysical. Humans, like other animals, have what is called a “determinant growth”, where the animal grows until its adulthood. Using ordinary elements and found objects from Mongolian landscape, the artist suggests a different way to look at acceptance, adaption and transformation.

In today’s world, there is a constant pressure to keep evolving. The phrase “growing pains” implies in various ways, suggesting the idea that growing is painful yet inevitable. The sculptures, like plants that continue to evolve in all directions, symbolize the idea that enduring and overcoming challenges requires a combination of strength and resilience.

Does the perfect beauty means polished version of oneself or is it the realization that accepting yourself as such? All of us have met a beautiful person that we quietly admire, but we often get stuck on the criteria of how to describe beauty in norms. The photographer «Beauty» as the theme of her exhibition. Each photograph highlights the unique charms of the sitter, compelling viewers to look at the subjects in each image as individuals rather than comparing them or classifying it. Does this mean that beauty truly is in the eye of the beholder?